The B-52s saved me from dorkitude. 1989
was an overall a shitty year. I moved from what any reasonable person
would deem as red state hell into a red state hell that put the
previous red state hell to shame. Indeed, the small town we moved to
was so small and backwards, it made El Paso look like a fucking
metropolis. We moved to 1957, a joke that still gets me laughs to this
day.
To make things even worse, it was my first year of junior high
school. I failed a bunch of classes, girls and boys both wanted to beat
me up, I was so scared of the vile bitches that cornered me on the
playground and demanded to know why I wore "boys'" shoes (at the time,
athletic sneakers were popular in big towns but not in 1957 West Texas
where they were considered unfeminine), I threw up but not to control
my weight and I menstruated but not in a cool Judy Blume novel way.
Shit sucked bad. And the music was worse. The "cool" kids all like
Milli Vanilli, which I didn't give two shits about. I gave a helluva
effort to seem like I like the boy bands of the time, but mostly I was
scared.
1989 was the year that the B-52s released their extremely stupid
song "Love Shack". Being a dumb shit kid, I loved it. My aunt, who was
a few years older than me, loved the B-52s and latched onto my love of
the song to bestow upon me a copied tape that had their first album on
side one and and Wild Planet on side two. I loved it. I am
surprised I did not fry it I played it so much. The first album
especially grabbed my attention--it was weird, decadent, beautiful and
the song "Dance This Mess Around" in particular was fucking perfect.
They sang about sexual decadence, dancing 'til dawn, but more than
anything they sang about how gorgeous music is and could be.
I didn't know their entire story then--I didn't know about how they
were just jamming and having fun and how Ricky Wilson played on a Sears
Silvertone and how they got swept into the New York scene and how they
inspired John Lennon to get back into writing music and how Ricky,
whose underrated guitar work was the backbone of the band, died of AIDS
and how their popularity on the mainstream charts came after they lost
his brillance or anything like that. If I had known those things, maybe
I wouldn't have learned the prejudice that was hard to unwind that
bands peak early and decline. Who knows what they would have been,
after all, if Ricky had lived? But I did learn something that would
fuck me up from then on--I related to the B-52s, which made me a weirdo
and I would never, ever fit in.
I came out with my secret love my junior year of high school and put
the tape of their first album on for my friends and tried to get them
to understand the punk rock awesomeness of "52 Girls" and the downright
Dusty Springfriend-esque surreal beauty of "Dance This Mess Around". I
played them "Rock Lobster", thinking that its strange pop appeal would
break through, but it was sort of long and they got bored and thought
it was stupid. [Pandagon]
9:30:00 PM
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